Chef Alain Passard and l’Arpege Experience

How do I justify spending a small fortune for one evening?  Was the experience worth possibly hundreds of rescued books (my currency)?

Yes. Yes, it was. Thankfully.

Particularly when one takes into account the imaginative time of anticipation and the echoed time of appreciation.

Our June 22nd dinner at l’Arpege began at least nine months ago when I watched the first episode of the third season of the Netflix series, Chef’s Table. As our trip to Paris approached, I watched it again with my sweet, Jim. I was fascinated with how chef Passard talked about the creative “gesture” as much as his status as the “maestro of vegetable cuisine.” I blogged about it in this post.

Actually eating there seemed like a distant fantasy.

Then, surprisingly Jim made a reservation. I was both excited and horrified. What if the fantasy doesn’t match up with reality? What an expensive disappointment? Reading this less than positive review, “The Crushing Disappointment of l’Arpege” didn’t help my anxiety either. But, I am not a food critic. It is not my job to convince, justify or explain. My job is simply to enjoy the best I can. Food blogging is perhaps a more self-centered but less self-righteous mode of sharing gastronomic experiences. Look what I ate, I am so happy and you should be too……..the capitalist-consumer nostalgia is not lost on me.

The limits of food criticism and blogging aside, Thursday, June 22nd arrived. We were in Paris. While Jim was working at the Paris Airshow, I took two cooking classes, Monday and Tuesday. I was immersed in learning French cuisine. Learning, eating, watching, walking, and eating again. I felt like I was training for l’Arpege. I couldn’t have been more emotionally prepared to have a wonderful evening of new tastes and the best of company.  I was determined to enjoy it, darn it!

During our short walk to the restaurant I carried my determination with the nervous intensity of carrying a jug full of precious water through the desert. We were seated promptly in the cellar with rugged walls and about 6-8 small white-clothed tables for two.  Our server introduced himself. Jim and I talked in reverent hushed tones. We noticed the other tables and our fellow diners. Then the amuse bouche arrived. I gingerly picked up the colorful, beautiful bite, and then I don’t remember anything but fragments of the evening.

Time slowed and sped up, tastes were surprising, often I didn’t recognize what I was eating, names were curious, textures and colors were popping. I remember being suspicious of hay-flavored ice-cream and then loving it, how the sole tasted light and substantive floating on a flavored foam, how the duck felt like an assertive steak, and mostly how the vegetables blossomed, fluttered, foamed and floated. I didn’t take pictures, I wanted to just be in my mouth.

Towards the end of the meal, Chef Passard himself emerged to meet each table. I was starstruck (and I am too cynical for celebrity worship). This never happens. While Jim was talking with him…words…..anniversary….yada yada…happy to be here…take a picture..more words….in my inner monologue, I wondered how can he, a chef, be dressed in all glowing white, panjabi and sandals? In the picture, I look like I’m holding my breathe, horrified and confused.

 

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The evening was worth it. It was small slice of an event that will continue to echo in my memory as long as it functions. This was a memorable meal fed by expectation, digested and converted into inspirational energy. The experience wafts beyond the three hours.

Yes, I still feel guilty that I could feed a small village in Bangladesh or a few hundred at the homeless shelter in Indiana. The guilt is warranted. However, that one evening of experiencing the best efforts of a creative artist, the produce of a beautiful country, the historical, political, social and ecological complex context that made that meal possible continues to make me feel human with the privilege of sense, sensation and guilt.

I, hungryphil, am most drawn to Passard’s philosophy of small things that is best expressed in his recipes. Here is how he introduces his recipe for peaches with lemon and saffron:

 

Peaches with Lemon and Saffron

“I always like to give a lift to stone fruit simply by adding a tangy touch of lemon juice to it. This recipe takes the lemon further: its chunky segments are stewed alongside segments of peach in a little butter. The lemon adds a vivacious piquancy to the gentle peach, and the heady scent of saffron and some grenadine syrup add to their flavors. The real key to this gastronomic treat, however, is adding olive oil – of the finest quality you can afford- at the end of cooking. Slivered toasted almonds complete the presentation.”

Notice the language of lift, of furthering, of gentility, of quality, and of presentation. This is the perspective I hoped to have absorbed in eating at his restaurant. I didn’t want a meal as a privileged traveler’s trophy. My determination to make the meal great may have made it so. So what? The meal at the least met my expectations half way. It lifted and furthered my taste, like the segments of peaches. Like his recipe, I imagine my fragmented memories and appreciation will “murmur very gently” for years to come, just like chef Alain Passard’s recipe. I will not stir or mix it with bad reviews.

“Partially cover the pan, and adjust the heat to allow the juices to murmur very gently for 20-30 minutes. During this time, do not stir, or mix the ingredients, or the segments of peach may break.”

 

For the full recipe to go: http://www.veranda.com/food-recipes/how-to/g1112/alain-passards-refreshing-vegetarian-recipes/?slide=2

Thank you Jim for making this experience possible. What a wonderful evening walking with you in Paris after a beautiful meal! You are my celebrity crush. I don’t look horrified and confused here.

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So, there is it. The story about how I ate an uncomfortably expensive meal and found comfort in human creativity.

Now, I’m off to see a local exhibtion, “Making it in Crafts III”  http://www.artlafayette.org/current-exhibits/

Come with me!

Wishing you happy eating at home and at expensive restaurants,

Hungryphil

 

 

Hunger, courage and a snack in Oslo

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I found a bench for myself and began gnawing greedily at my snack. It did me a lot of good; it had been a long time since I’d had such an ample meal, and I gradually felt that same sense of satiated repose you experience after a good cry. My courage rose markedly; I was no long satisfied with writing an article about something so elementary and straightforward as the crimes of the future, which anybody could guess, or simply learn by reading history. I felt capable of a greater effort and, being in the mood to surmount difficulties, decided upon a three-part monograph about philosophical cognition. – from Hunger by Knut Hamsun (Noble Prize Winner, 1920)

As I read these words by controversial Nazi sympathizer and nobel laureate Knut Hamsun, the significance of my first bite in Oslo became clear.  It was a short walk from the National Theatret station to the Savoy Hotel, made slow and deliberate by the bumpy drag of my carry-on wheels and by the weight of my backpack pressing down each step. I happily welcomed this seemingly underwater rhythm of a traveler on foot after the cramped imprisonment of seatbelted air travel. My snack, this shrimp sandwich, hearty chewy bread, sweet shrimp, bright lemons, woke me up. I felt the sense of “satiated repose after a long cry” and also, the mood “to surmount difficulties.”

I hope you find good snacks that offer repose and courage during your summer travels.

For now, I’m back on my warm Indiana porch with birds chirping and gentle windchimes…….. reading and snacking.

 

Food Poem – Market Day by Linda Pastan

This poem beautifully illustrates the universal principle of local food.  Food memories and experiences across space and time have a common language.

Have a wonderful week everyone!

 

We have traveled all this way
to see the real France:
these trays of apricots and grapes spilled out
like semi-precious stones
for us to choose; a milky way
of cheeses whose names like planets
I forget; heraldic sole
displayed on ice, as if the fish
themselves had just escaped,
leaving their scaled armor behind.
There’s nothing like this
anywhere, you say. And I see
Burnside Avenue in the Bronx, my mother

sending me for farmer cheese and lox:
the rounds of cheese grainy and white, pocked
like the surface of the moon;
the silken slices of smoked fish
lying in careful pleats; and always,
as here, sawdust under our feet
the color of sand brought in on pant cuffs
from Sunday at the beach.
Across the street on benches,
my grandparents lifted their faces
to the sun the way the blind turn
towards a familiar sound, speaking
another language I almost understand.

“Market Day” by Linda Pastan from Carnival Evening. © Norton, 1998.

From the Writer’s Almanac, June 22nd 2017

 

Wobblyogi Wednesday – Yoga Poem- The Necessary Brevity of Pleasures by Samuel Hazo

Enjoy this yoga AND a food poem celebrating moderation. May we all have the wisdom to “savor every bite of grub with equal gratitude.”

Prolonged, they slacken into pain
or sadness in accordance with the law
of apples.
One apple satisfies.
Two apples cloy.
Three apples
glut.
Call it a tug-of-war between enough and more
than enough, between sufficiency
and greed, between the stay-at-homers
and globe-trotting see-the-worlders.
Like lovers seeking heaven in excess,
the hopelessly insatiable forget
how passion sharpens appetites
that gross indulgence numbs.
Result?
The haves have not
what all the have-nots have
since much of having is the need
to have.
Even my dog
knows that—and more than that.
He slumbers in a moon of sunlight,
scratches his twitches and itches
in measure, savors every bite
of grub with equal gratitude
and stays determinedly in place
unless what’s suddenly exciting
happens.
Viewing mere change
as threatening, he relishes a few
undoubtable and proven pleasures
to enjoy each day in sequence
and with canine moderation.
They’re there for him in waiting,
and he never wears them out.

“The Necessary Brevity of Pleasures” by Samuel Hazo from A Flight to Elsewhere. © Autumn House Press, 2005.

From the Writers Almanac on April 25, 2017.

 

Wobblyogi Wednesday: Book Club Workshop and Eats

Last weekend our yoga book club met to talk, practice, eat, watch a documentary and talk some more. The three hours flew by. Jacqueline lead us through a beautiful asana practice inspired by mantras from the book.  We talked about the difference between ambition and greed, between pain and suffering. We talked about what we liked about the book and what we didn’t like. We talked beyond the book about the challenges of a home practice, about how we came to join the book club.  We watched and talked about the documentary: Yoga Is. It was movie night, book club and tea time rolled into one. What a wonderful way to spend a Spring Sunday afternoon!

Usually after practice we rush back to our respective lives. What a welcomed treat to sit and laugh with my fellow yogis.

Our snack menu included items to balance Spring Kapha flavored with heat building spices of ginger and black pepper.

Corn Tacos with Tofu and Bitter Greens Scramble

Cucumber Slices with Hummus and Feta Crumbles

Dates stuffed with Crystallized Ginger and Almonds

Roasted Chickpeas

Spiced Ginger Tea

All of the snacks were easy to assemble. The most “cooking” I did was the tofu scramble. The “heat inviting” meal ironically required very little fire to prepare.

Here are a few directions.

For the Corn Tacos (less gluten and dairy helps balance Kapha): Break up a box of extra firm tofu. Add any spice mix of your choice to the broken up pieces. I used a spring spice mix with turmeric, fennel, cumin, ginger, black pepper and chili powder. Heat a tablespoon of oil in a wide pan or wok. Add tofu. Let it dry out and even brown on one side before you move the pieces around. You can take the tofu out of the pan or just have it waiting on one side of the pan, while you wilt some greens (spinach, arugula, chard). You can also add onions or garlic, if you like. I didn’t. Once wilted, toss greens with tofu and your filling is done!Warm some corn tortillas with ghee, butter or an oil of your choice. Add filling. Maybe top with shredded carrots or avocado slices. Enjoy.

The stuffed dates were simply crystallized ginger and almonds pulsed together into a grainy consistency. Stuff the mixture into de-seeded Medjool dates.

The cucumber slices were just that. Sliced cucumbers topped with hummus and sprinkled with feta.

The roasted chickpeas (deep frying is tastier but not very healthy) were drained canned chickpeas, tossed with vinegar, oil and a spice mix (I used the same spring spice mix as the tofu) and baked at 400 degrees until crispy. Between 30-40 minutes. During cooking you’ll need to moves the peas around to get an even bake. That’s it.

The spiced tea was regular tea with milk, a touch of sugar, spiced with ginger and black pepper.

If you couldn’t join us, I hope you can find the time to enjoy the book, the movie and the snacks with your friends. Next time, join us.

Looking forward to our next book club meeting in late summer,

The Wobblyogi

 

 

http://yogaismovie.com/

http://www.judithhansonlasater.com/lly2/

My favorite Ayurveda Cookbook is this one by Kate O’Donnell. I modified the taco recipe offered in this book. It has many other recipes that are easy to to prepare and have easy to find ingredients. O’Donnell reminds us that Ayurvedic cooking is not limited to Indian food!

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Hungryphil Eats London: Borough Market Food Tour

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It was an expectedly cool spring day in London. Atiya and I waited at a nearby Starbucks for our much-anticipated food tour near London Bridge.  I was worried that our next hours would be so focused on keeping warm that we might miss the food fun. Atiya will happily attest to my pre-tour cranky mood. Thankfully, all my worries dissolved away at our first stop at Scotchtails for Scotched Eggs (for vegetarians: Goats Cheese, sweet potato pie from Pieminister).

IMG_4133 The day only got brighter like the sunny, runny, bright orange fresh yoke of the Scotched Egg.

Here are some of the highlights from the tour:

The best Fish and Chips I ever had at Fish Kitchen.

The best vanilla custard doughnuts from Breadahead. Look at Atiya’s happiness.

After a few more stops, our tour ended with English Breakfast Tea and Sticky Toffee Pudding at Chop House. It turned out to be a sweet, fried and salty day with my baby, best because it was a cold day. Everything we ate represented comfort food.

Here is what I learned about London eaters based on the gastronomic narrative of the Borough Market and London Bridge Walking Tour.

  1. Simple foods can be surprisingly complex and crafted. For example, the chips are cooked THREE times! Boiled, fried and fried again with appropriate time intervals between.
  2. British food swings between casual, portable street foods like fish and chips or scotched eggs, and formal, elegant cream tea and accompaniments. A family in-between meal would be Sunday roast (we didn’t get to try this delicious combination of roast and yorkshire pudding).
  3. While our tour was focused on traditional English eats, the market represented a diversity of ethnic tastes: Turkish delights, Thai curries, Indian Samosas, Ethiopian Injeera, Balkan breads and more. The Borough market food story also has hidden tartness and spice.

A post-colonial critique of British food would miss the inherent inner-struggle between Anglo-Saxon, French, German, Roman and Viking past. English history has no “pure” native lineage. The “Other” is already inscribed. Food is a visceral way to respond to the climate and confronting cultures.  The Borough market English food tour was an exercise of simple and few ingredients, treated with care.

In the end, regardless of cuisine culture, we can taste –  care. No cultural critique needed.

Wishing you happy and “care-ful” eating,

hungryphil

 

 

 

Happy President’s Day from Lincoln’s Kitchen

The first sentence in Rae Katherine Eighmey’s book, Abraham Lincoln in the Kitchen: A Culinary View of Lincoln’s Life and Times, begins–

“Abraham Lincoln cooked!” The words leapt off the pages of my sixty-nine-year-old copy of Rufus Wilson’s Lincoln Among His Friends. I could hardly believe what I was reading. Yet there it was. Phillip Wheelock Ayers, whose family at the corner of Eighth and Jackson, described how Abraham Lincoln walked the few blocks home from his Springfield law office, put on a blue apron, and helped Mary Lincoln make dinner for their boys.

The book, picked up at the Lincoln museum store this weekend,  proceeds to serve a multi-layered story of Lincoln’s life through tastes, celebrations, and trials. I just started reading the book and have made it only up to the first recipe for corn dodgers (a sturdy enough corn cake that kid Lincoln could carry in his pocket as a lunch and reading snack during the workday). Midwestern Corn-based breads seem the perfect place to start cooking with Lincoln. The culinary historical journey includes 55 updated recipes from the period. Maybe next President’s Day will include eating like a president.

For today, imagine Lincoln in a blue apron prepping dinner in his small kitchen pictured above.

Mario Batali on Creative Discipline

I love to cook. LOVE to eat. Love to watch and read anything related to cooking and eating. I watched Food Network grow up along with my daughter born in 1995. My love of cooking and my children are so interwoven that I can’t help but think of one without the other.

Conventional wisdom tells us to “do what you are passionate about.” I am certainly passionate about food but I don’t want to do it professionally.

For one simple reason:  I am incapable of consistency.

Skill-wise, I am a culinary child bouncing between passionate experimentation. My cooking doesn’t have the maturity of disciplined and consistent devotion.

I admire those who can run restaurants, catering businesses and the most attractive of all…..food trucks. But I am content with my “Try the World Boxes,” my “spicebar” experimentations, my Lucky Peach, Southern Living, Saveur, Cooking Light sticky notes.

After all, I have practice being an admirer of the arts as a design historian and as a philosopher focused on aesthetics. I am a trained spectator and cheerleader. An appreciative eater and a curious cook.

I will not be the next Food Network Star. Or, the next celebrity chef. And, that’s absolutely okay.

After reading Mario Batali’s article in Lucky Peach, I feel reassured of my decision NOT to attend culinary school or embark on a culinary career despite my long-standing fascination.

When you go to these three-star Michelin restaurants, repetition is the fundamental driving truth behind it, not that the cooks got whipped. It’s that they had to do it again and again and again. And you go to Michel Guérard or Roger Vergé and you have those zucchini blossoms stuffed with the black truffle and the little porky thing that’s around it. Thirty-five years on that dish is still a revolution; it’s still unbelievable. It’s not just creativity—sometimes it’s productivity and repetition. That’s discipline. It’s hard for people to understand that repetition is the discipline that these guys think they’re missing because no one can anymore.

Wise chef Batali explains the need for repetition and discipline in shaping super chefs – “it’s not just creativity – sometimes it’s productivity and repetition.”

Particularly, in the West where creativity and individuality are highly prized, the crucial role of simple repetition gets lost.  The culinary need for discipline holds true for any arts,  whether visual or performing. Discipline sharpens creativity.

I’m happy to waft in and out of the kitchen, my messy playground. Sometimes I’m lucky to be an appreciative eater of work by disciplined culinary designers.

Wishing you happy weekend eats,

Hungryphil

 

For the full article click the link below:

http://luckypeach.com/how-food-became-pop-culture-mario-batali/

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Chicken Tagine and Orange Blossom Rice Pudding

We relied on a “Try The World” box to take us to Morocco on a cold Indiana night. In texture, the meal was perfect to fight cold weather soft, creamy, stewed and warm spiced. In flavors, however, the meal invited early September to the plate, the few weeks between summer and fall, to the plate, the zucchini and the carrots were equally tender, the sweet onions and raisins complimented the heat of harissa. It was an unusual treat to have a hearty, flavorful yet light as cous-cous meal.

The orange blossom rice pudding was perfect in sweetness and texture. Around the table, we had mixed reviews about the floral quality of the dessert. The dessert may have needed to match the complexity of the tagine tastes. It felt a bit one-note after such a symphony of sweet and spicy.

I learned to use arborio rice for pudding, to marinate the chicken in harissa and spices before setting into the tagine on a bed of chopped onions and to overlay a mix of matchstick-sized vegetables.

Would make this again. Any season.

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Food Poem- The Poet’s Occasional Alternative by Grace Paley

As a hungryphilosopher I relate to this poem deeply. Creative work of any kind is both so difficult and so enjoyable. Sometimes I just want to be received. For me, cooking has been that easy creative connection with others. This poem by Grace Paley describes the urgent need for “responsive eatership” deliciously. Enjoy!

I was going to write a poem
I made a pie instead      it took
about the same amount of time
of course the pie was a final
draft      a poem would have had some
distance to go      days and weeks and
much crumpled paper

the pie already had a talking
tumbling audience among small
trucks and a fire engine on
the kitchen floor

everybody will like this pie
it will have apples and cranberries
dried apricots in it      many friends
will say      why in the world did you
make only one

this does not happen with poems

because of unreportable
sadnesses I decided to
settle this morning for a re-
sponsive eatership      I do not
want to wait a week      a year      a
generation for the right
consumer to come along

“The Poet’s Occasional Alternative” by Grace Paley from Begin Again. © Farrar, Straus & Giroux, 2000.

From the Writers Almanac http://writersalmanac.org/