Food Story Telling

Emilie Baltz’s work blossoms around food as story telling, as an emotional experience shared yet intensely intimate.

In this video she talks about love stories through food.

The first story is a about a chef’s childhood story about having to kill and eat his favorite pigeons. So his definition of love was sacrifice. The dish conveys a bittersweet physical experience of his emotion.

Love is about discovery for Moto chef in Chicago.

Love is boundaries for  Isa chef, Ignacio in NYC.

Watch below to hear and see the food stories about love.

How would you tell your food story of love?

Jasmine’s Curious Eating (Food Stories)

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“Food made me feel different, not special,” explains Jasmine about her limited school cafeteria choices as a vegetarian child. Feeling different can foster curiosity, empathy and thoughtful awareness for some, while seeding resentment and intolerance in others. For Jasmine, this early awareness perhaps primed her to be the educator for special needs and artist that she is now. She is fiercely curious as she is principled, saying, “I’ll eat anything as long as its not meat.”

(For more about Jasmine’s work now look to the links below.)

Like many of us, Jasmine recalls as a child looking forward to family celebrations. For her these celebrations included dishes from her father’s immigrant background. Croatian food with Turkish, Greek, Italian flavors, Jasmine explains is a lot like American food with multiple ethnic influences. Maybe the hand rolled Croatian pasta she remembers gave her an early awareness of internationalism, diversity and difference.

Jasmine’s global perspective is coupled with an Indiana appreciation for gardening and local farm produce. She owes her vegetarianism and love of cooking to her mom, who offered explanations like “tell people you don’t eat anything with eyes except potatoes” or “if you don’t eat something green, something green will eat you.” She recalls cooking with her mom and conducting blind taste tests of peppers to see if they can guess the color of the peppers. How fun! This combination of humor, awareness and curiosity serves her well in cooking for her own picky toddlers who at the moment love avocados and firm tofu (not touching of course).

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For her High School graduation, Jasmine’s mom gave her a cookbook comprised of all her favorite dishes. Even armed with the cookbook, she confesses that she ate only cereal her first semester at college. Cooking is practical and requires practice for Jasmine, who now gardens, cooks, cans, freezes and believes that “taking the time and energy to know the process to make it, makes it better to eat.”

Enjoying cooking as a process of aware conversion, she often shares her experiments on social media and with friends. Here is her peach butter from her homegrown peaches.

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and a lemon meringue pie made from a giant lemon from a friend’s garden.

Hungry philosopher Jasmine, Thank you for being both different AND special in your philosophy of good eating. Your approach to food as a source of curiosity, learning, self-sufficiency and fun, remind all of us that sometimes in the search for efficiency and ease we may miss a delicious discovery.

Wishing you many delicious discoveries ahead,

Hungryphil

http://jasminebegeske.com/

http://discover.education.purdue.edu/people/people.asp?id=1100

All images courtesy of Jasmine Begeske

Dear Fellow Food Philosophers,

I am collecting food philosophies through three guiding and loose questions:

  1. Consumption: What are your memories of food?
  2. Production: What are your guiding principles for making food?
  3. Demonstration: What would show your philosophy of food?

Please contact me, if you (or anyone you know…..anyone who is involved in making food…not just chefs) would like to share your philosophy with me. Happy to meet with you in person or over Skype. Thank you!

Food as Atmospheric – Interview with Farhan Karim

Dear fellow hungry philosophers,
Here are few short food vignettes from my conversation with architecture professor, Farhan Karim at the University of Kansas. I was wonderfully struck by the atmospheric clarity of his food memories. These stories definitively show how an architect remembers enjoyable experiences —as graphically spatial, social and sensual.

The first memory that Farhan shares is about growing up in Abu Dhabi and eating his mom’s favorite chicken shawarma on the beach with his family. This fascination and enjoyment of public uncomplicated street food repeats in his later stories. He remembers the open, fun, picnic-like atmosphere as much as the food itself. He describes his eating experience in Abu Dhabi both architecturally and gastronomically. For example, the “midrise urban morphology” (his words, not mine) devoted the first floor to commercial businesses, most often restaurants and more importantly bread stalls selling roti. These restaurants mostly served single men working in Abu Dhabi during its construction boom. While his mom enjoyed the beach side shawarma sandwiches, spiced curries like Bhindi Gosht and Mutton Masala from the local Malayam restaurant were his father’s favorites. Probably related to those restaurant dishes he specifically associates the spice “methi” or fenugreek with his childhood in Abu Dhabi. His stories are representative of fragmented and fleeting childhood memories of parental preferences, clashing cultural nuances, specific smells and spaces.

STAR-HOTEL-&-KABAB

image from: http://www.foodbangla.com/menu.php?res_id=77

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http://foodknowledgebd.blogspot.com/2013/02/haji-biryani.html

In contrast, his young adult memories of college in Dhaka are structured and show a deliberate search for personal narrative and taste. He speaks of “discovering Dhaka through the materialization of food sources.” Cultivating a sense of nationalist pride he frequented public street food stall that sold kababs and biriyani. Similar to the public, social and casual Abu Dhabi beach side and restaurant eating, his food memories of this time period involve friends and political debates.

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Image from: http://thedhakafoodies.com/Restaurants/Details/hot-hut-food/L1ZL649PA5

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Image from: http://thedhakafoodies.com/Restaurants/Details/Big-Bite/N3VRKHYYYZ

His architectural awareness becomes vivid as he recollects dating in Dhaka and meeting his wife, Farzana. He analyzes the then very few dating venues according to a dynamic of privacy and public announcement. For example, Big Bite with it’s glass façade was a place to announce one’s romantic affiliations, in contrast, Hot Hut, located on a second floor was spatially appropriate for a private date. Mediating the two, public and private modes, was Shawarma Inn which offered strategic exposure. It is also interesting to note that all these “dating” sites were foreign foods of burgers, fries, pizza and sandwiches. I wonder why that is? Are deshi curries or kababs inherently unromantic? Not only does his articulate the interior space of each location but also the cartographic position in terms of Dhaka city neighborhoods. Again, if we listen to Farhan’s stories, all food experience is contextual, architectural and social.

The three memory fragments show the evolution of a child aware of parental taste and cultural difference, to a young man eager to claim his political place in the world to a man courting and building a shared future. The stories show food as sensual, spatial and social…..as essentially atmospheric.

Thank you for sharing your stories, Farhan.

Next time we’ll hear about his experience working at a pizza place and an Egyptian restaurant in Australia.

Happy Food Stories!

Hungryphil

Dear Fellow Food Philosophers,

I am collecting food philosophies through three guiding and loose questions:

  1. Consumption: What are your memories of food?
  2. Production: What are your guiding principles for making food?
  3. Demonstration: What would show your philosophy of food?

Please contact me, if you (or anyone you know…..anyone who is involved in making food…not just chefs) would like to share your philosophy with me. Thank you!